There have been numerous engaging films highlighting image makers: Martin Parr. Perhaps cinematic storytelling particularly shines when showcasing remarkably striking photographs. Today arrives another remarkable case, directed by filmmaker Yemi Bamiro, documenting the impressive life's work of Kwame Brathwaite—a photographer, artist and civil rights advocate who embodied a unique politico-aesthetic perspective.
Together with his family member Elombe, he effectively created the expression “Black Is Beautiful” throughout the 1960s by documenting the Harlem models in the cultural epicenter: emerging Black women who transformed into the groundbreaking standard for aesthetics, moving beyond conventional grooming practices and the predominant Caucasian model of womanhood.
The Power of a Revolutionary Slogan
This powerful statement became a transformative unifying message, an inspired memorable declaration for change. Just stating that people of color possessed beauty emerged as a liberating force in society, politics and culture. Brathwaite grew into part of the civil rights global Black movement by photographing the sports icon prior to his iconic Rumble in the Jungle in the seventies.
He was appointed the primary photographer for the Jackson 5's international performances, and eventually became the resident artist for the historic Harlem venue, creating an amazing collection of African American artists. Alongside his brother, he emerged as the driving force behind arranging for the anti-apartheid icon to address the public in New York.
Family Legacy
Brathwaite's son his namesake recounts the their campaign to ensure due acknowledgment for his family heritage after he was hurtfully excluded in Washington DC's Smithsonian institution, inaugurated by the former president in recent years.
The film also recounts the deeply tragic genesis of Brathwaite's interest in image making: the horrendous pictures of Emmett Till, the adolescent civil rights tragic figure whose bereaved parent courageously requested an uncovered casket so the horrific reality of racial hatred would not be hidden.
Amidst Sorrow to Hope
In this image of tragedy, Brathwaite encountered a type of transformative realization that led him toward visual representations of community. His photographs beautifully expressed community pride and often nuanced in approach: he curated a fresh visual language of pride through which activist groups could mobilize.
This represents an inspiring chronicle of cultural impact that still empower through the years.
